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Strange Lines and Distances

by Michael Bell

supported by
Nanoos
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Nanoos I listened to this album for the first time when I was in the Perthois, a small plain near my home, where its melodies fit perfectly. It's amazing how well many of its tracks fit in with the brick and wood villages of northern France. Favorite track: Throat Fur.
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1.
2.
Land of Dust 06:21
3.
4.
5.
Throat Fur 06:06
6.
Sag City 06:57
7.
How Come? 05:32
8.
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10.
Dead Roads 09:26
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The Infected 06:21
16.
The Dry Sea 09:06

about

"We have also sound-houses, where we practice and demonstrate all sounds and their generation. We have harmonies, which you have not, of quarter-sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have, together with bells and rings that are dainty and sweet.

We represent small sounds as great and deep, likewise great sounds extenuate and sharp; we make divers tremblings and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices and notes of beasts and birds.

We have certain helps which set to the ear do further the hearing greatly. We also have divers strange and artificial echoes, reflecting the voice many times, and as it were tossing it, and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice differing in the letters or articulate sound from that they receive. We have also means to convey sounds in trunks and pipes, in strange lines and distances."

-Francis Bacon, 1627

credits

released October 23, 2019

license

all rights reserved

tags

about

Michael Bell Bellingham, Washington

A Loose-Fish and a Fast-Fish, too.

Some of this is music for video games. The rest is a fairly raw document of my ongoing attempt to find something new among the blinking lights in my studio at home.

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