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The Departure of the Moon

by Michael Bell

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Theia 08:49
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Manatee 08:42
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about

My neighbor swiveled his telescope across the cloudless sky. There was Jupiter and its twisty bands, faint but unmistakable, and three tiny points of light just off to the side—its largest moons. There was Saturn, a perfect ball, its rings sticking out at each side. And then there was the moon: covered in craters and cracks and shadows, so richly textured that the skin of my fingertips prickled at the sight, as if I were rolling the moon around in my hand like a marble, feeling its jagged edges. I decided not to spoil the moment for everyone else on the roof that night by telling them that the moon was, slowly but surely, distancing itself from us. The experience of distance—from our families, from a time of relative normalcy—had already tormented many of us enough. Better to focus on the little image in the lens, on seeing the moon properly for the first time. It may be wishing Earth a very long goodbye, but it was nice to say hello.

― Marina Koren, "The Moon Is Leaving Us"


There's always a siren, singing you to shipwreck. Some of us may be more susceptible than others are, but there's always a siren. It may be with us all our lives, or it may be many years or decades before we find it or it finds us. But when it does find us, if we're lucky we're Odysseus tied up to the ship's mast, hearing the song with perfect clarity, but ferried to safety by a crew whose ears have been plugged with beeswax. If we're not at all lucky, we're another sort of sailor stepping off the deck to drown in the sea.

― Caitlín R. Kiernan, The Drowning Girl

credits

released August 24, 2022

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all rights reserved

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about

Michael Bell Bellingham, Washington

A Loose-Fish and a Fast-Fish, too.

Some of this is music for video games. The rest is a fairly raw document of my ongoing attempt to find something new among the blinking lights in my studio at home.

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