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End of Days

by Michael Bell

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Storm Days 05:54
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about

As I drove on, a peculiar change crept over the appearance of things. The unwonted greyness grew lighter; then—though I was travelling with prodigious velocity—the blinking succession of day and night, which was usually indicative of a slower pace, returned, and grew more and more marked. This puzzled me very much at first. The alternations of night and day grew slower and slower, and so did the passage of the sun across the sky, until they seemed to stretch through centuries.

At last a steady twilight brooded over the earth, a twilight only broken now and then when a comet glared across the darkling sky. The band of light that had indicated the sun had long since disappeared; for the sun had ceased to set—it simply rose and fell in the west, and grew ever broader and more red. All trace of the moon had vanished. The circling of the stars, growing slower and slower, had given place to creeping points of light.

At last, some time before I stopped, the sun, red and very large, halted motionless upon the horizon, a vast dome glowing with a dull heat, and now and then suffering a momentary extinction. At one time it had for a little while glowed more brilliantly again, but it speedily reverted to its sullen red-heat. I perceived by this slowing down of its rising and setting that the work of the tidal drag was done. The earth had come to rest with one face to the sun, even as in our own time the moon faces the earth.

HG Wells, THE TIME MACHINE

credits

released July 31, 2023

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all rights reserved

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about

Michael Bell Bellingham, Washington

A Loose-Fish and a Fast-Fish, too.

Some of this is music for video games. The rest is a fairly raw document of my ongoing attempt to find something new among the blinking lights in my studio at home.

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